Foreign films are often touted as the pinnacle of American cinema, a place where audiences can be forgiven for feeling like the heroes of the story.

Yet these films are in fact being used as the basis for propaganda.

The Hollywood Foreign Press Association recently released its annual ranking of the top 100 foreign films.

In the past year, foreign films have become a critical focus of American politics, with President Donald Trump tweeting that “Foreign films are being used to further the interests of our enemies” and the director of the State Department’s National Endowment for Democracy (NED) describing them as “an absolute threat to our democracy.”

Despite the growing threat of the film industry to the American public, it is the American movie industry that is the most vulnerable to the influence of foreign films in America’s future.

Here are eight of the most egregious examples of films being used in propaganda.


“Kong: Skull Island” The most recent “Kung Fu Panda” sequel features a character named “K” who is actually a Chinese puppet.

When Kong kills a giant snake, he transforms into his most famous villain, the villainous “Kongslayer.”

It’s easy to see why this film would attract Chinese fans: the film is a celebration of a genre in which many Chinese actors are now being rewarded for their performances.

However, when the film’s Chinese director, Jiang Wen, was asked about the popularity of this particular genre in China, he responded, “That’s the way of the Chinese people.

I love it.”

In fact, the majority of the people who watched “KONG: SKULL ISLAND” did not know that the film was made in China.


“The Hunger Games” It is a common myth that the American military invaded Afghanistan to fight a communist regime.

The truth is that the US did not invade Afghanistan, but rather the country that the military eventually occupied, namely Pakistan.

The film is widely regarded as a propaganda piece for the United States, which uses it as an example of how the United Kingdom’s military could be used to help create a perfect example of democracy in the Muslim world.

In this way, the film helps to legitimize the US’s invasion of Afghanistan, even as it is showing a film that glorifies an American invasion of the country.

The fact that the movie was made overseas was also not considered when making the decision to make the movie, as it was only in 2011 that Pakistan’s military formally surrendered to the United Nations.


“Empire” One of the few films in the history of the United State to be made in English, the English version of “Empress” is about a Soviet spy and her lover, played by Scarlett Johansson.

The movie is a masterpiece in itself, a story about a woman who works with a man in a Russian spy ring and is caught up in a spy ring in England, where she discovers she is in love with the man who has her in his sights.

In other words, it’s a story that celebrates the Russian empire, and the Soviet Union as an empire.

However; as the story goes, the woman is framed for espionage, and is forced to hide her true identity, leaving her husband to pursue a career in the Soviet military.

As a result, she is forced into prostitution.

The plot of the movie is not only about the woman’s struggle to hide who she really is, but also the fact that she is not alone in her predicament.

The Russian spy in question is a former KGB agent, known as “P.I.”

The story is told in a highly stylized and comedic manner, and depicts the two women’s relationship in an entirely realistic way.


“Black Swan” The original film of Oscar-winning director Alexandre Desplat, the movie’s success was mainly due to the fact it featured a female lead, played with a level of skill and sophistication that few other movies of the era had.

It is no secret that many women are not comfortable being in roles that require them to be present in the physical and emotional states of the male characters, and this is often the case for the most important and respected roles.

However: the way in which Desplats film portrays the relationship between the female lead and her male companion in this film is far more interesting than many other examples of the kind of portrayal that we see in the movies of today.

In Desplates film, the male character, who has to be the primary character of the relationship, is shown to be “a little girl,” a common phrase used in the movie to describe the female protagonist.

In real life, many women would be embarrassed to be seen in a male body.

This is an important difference between Desplasses film and many other films, and it is not a problem that is easily corrected.


“Fatal Attraction” This is one of the best-known and